Wednesday, November 23, 2022

On the Schedule: December, 2022

This December please join me for at MOCA for "Staying Cool," a look at what architects and engineers Kulapat Yantrasast, Frederick Fisher, Lance Collins and Simone Paz are doing to lighten art's footprint in Art for Earth's Sake... come to talks with me about LA's multifamily housing at book events for Common Ground... join a workshop about "air," featuring artist Laurie Lipton and the team at NAHR at Helms Design Center... and hear from architect Moshe Safdie as I talk to him about his life at the Skirball Museum. Read on for details.


Common Ground: The Conversations

Now Common Ground: Multifamily Housing in Los Angeles is out, I'm thrilled to have the opportunity to talk about the buildings, the residents and the issues around housing that I explore in the book, whether it’s the case for community centered housing in a time of social isolation; a celebration of historic courtyard buildings (like El Cabrillo, above, designed by Arthur and Nina Zwebell, photo by Art Gray) and the lessons they offer for new housing on our thoroughfares; or, simply, a validation of apartment living in a region that demeans it.

Please join me at the following events, open to all:  

On December 1 at 6pm I'll talk about the book with friends at GGA architecture firm in Pasadena.

On December 7 at 12pm I'll join Adrian Scott Fine for an online conversation hosted by the L.A. Conservancy.

Hope to see you there!


Tilt Up: A fundraiser to support the Kings Road House 

In 1922, R.M. Schindler and his wife Pauline, and Clyde Chace, an engineer, and his wife Marian took up residence in what was probably the world's most radical duplex: the King's Road House in West Hollywood. Made of tilt-up concrete slabs (with tips on this new construction system from Irving Gill), the building consisted of an S-shaped sequence of single, undefined rooms (one for each resident to use at will) wrapped round two grassy courts, with light penetrating from slender vertical windows, and expansive sliding wood-framed glass screens. There were sleeping baskets atop the structure, capping a building that was highly experimental structurally, socially and even in terms of bedroom planning! 100 years later this marvelous house, now a cultural center run by MAK, the Museum of Applied Arts in Vienna, is suffering the ravages of age -- and needs a costly overhaul. So on Sunday, December 4, at  4:30 - 6:30 pm, the Friends of the Schindler House (FOSH) will host a fundraiser.

Enticements include drinks and appetizers under a tent on the grounds; access to purchase one-of-a-kind commemorative "classic napkin sketch" mementos created by the architect, design, and art community and a limited edition deck of 12 photo images of the Schindler House through the lens of six celebrated contemporary photographers.

Click here for details.


AIR: Commons, Chaotic Fluid, Inspiration

Last year the Nature, Art and Habitat Residency (NAHR) invited people working at the intersection of art and the environment to contemplate soil. For the 2023 Residency, the topic is air, specifically “AIR: Commons, Chaotic Fluid, Inspiration.”

On Thursday, December 8th from 6:30 to 8:30 pm, come to the design center at Helms Bakery District for an evening conversation about the role of air as a connector, and help imagine future scenarios about how and what we will be breathing. Questions on the agenda include:

    How can human relationships with air help to stop or slow the climate crisis?
    What is our awareness of the ecology of air?
    How does air connect us and highlight issues of global justice?

NAHR's co-chairs Deborah Weintraub and Richard Molina and I will moderate the dialogue, following a keynote to be delivered by Laurie Lipton, remarkable artist of epic, dystopic visions of domestic and urban life today rendered in intense pencil drawings. Her latest opus is entitled, appropriately enough, Smoke.

Click here for details.

Art for Earth's Sake

Staying Cool: Designers Green Art Buildings

Museums and private collections can generate a high energy footprint, from the construction of new buildings to the climate-controlled storage. Add to that the emissions and waste generated by the production, installation and demolition of temporary exhibitions and art fairs. So what are architects and designers doing to lighten this impact? Does the Geffen Contemporary at MOCA itself offer clues–through its genesis as an adaptively reused, rather than new, building? What can we learn from “living buildings,” and how to keep museums cool as they use more and more computer technologies to tell their stories? 

Get answers on Sunday, Dec 11, starting at 3pm, when I talk with architects Kulapat Yantrasast of WHY Architecture, designer of permanent and temporary art spaces including David Kordansky Gallery, the Academy Museum, and the installation for Frieze LA; Frederick Fisher, whose firm has designed art spaces from MoMA P.S.1 to the expansion of the Los Angeles Natural History Museum; and Lance Collins, director at Partner Energy, provider of energy efficient engineering for buildings including the Aquarium of the Pacific in Long Beach, along with expertise in Environmental, Social, Governance and Resilience (ESGR). They will be joined on stage by Simone Paz, MOCA’s Associate Director of Sustainability.

Click here for details.


If Walls Could Speak: My Life in Architecture

Moshe Safdie in Conversation 

In 1967, Moshe Safdie stunned the architecture world when he designed Habitat, a landmark demonstration project for the 1967 Montreal World Exposition. The extraordinary superstructure was made of 365 prefab concrete modules containing 158 apartments of varying sizes that opened onto personal open spaces and garden terraces, typically found in single-family homes. 

Habitat pioneered a vision for high density urban housing, and Safdie went onto to forge a career spanning five decades, and including L.A.'s very own Skirball Cultural Center. 

On Sunday, December 11, starting at 6:00 pm, I will talk with Safdie about his new memoir, If Walls Could Speak, which "takes readers behind the veil of an essential yet mysterious profession to explain how an architect thinks and works—from the spark of imagination through the design process, the model-making, the politics, the engineering, and the materials." 

Safdie is a warm and lively conversationalist so I look forward to speaking with him, and hope you will join us.

Click here for details.


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